All David Young Cameron Oil Paintings

British master of landscape and architectural views. Glasgow ,1865-1945 is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.
 

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David Young Cameron Wilds of Assynt oil on canvas


Wilds of Assynt
Wilds of Assynt
Painting ID::  32818
  mk81 c.1936
  mk81 c.1936

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David Young Cameron Battlefields of Ypres oil on canvas


Battlefields of Ypres
Battlefields of Ypres
Painting ID::  80721
  Date 1920(1920) Medium Oil on canvas Dimensions Height: 198.5 cm (78.1 in). Width: 336 cm (132.3 in). cjr
  Date 1920(1920) Medium Oil on canvas Dimensions Height: 198.5 cm (78.1 in). Width: 336 cm (132.3 in). cjr

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David Young Cameron Battlefields of Ypres oil on canvas


Battlefields of Ypres
Battlefields of Ypres
Painting ID::  84357
  Medium Oil on canvas cyf
  Medium Oil on canvas cyf

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     David Young Cameron
     British master of landscape and architectural views. Glasgow ,1865-1945 is a Scottish painter and etcher. He was trained at the Glasgow and Edinburgh Schools of Art in the 1880s. From 1887-1892 he was a member of the Royal Society of Painter-Etchers. It was during this time that he published a number of sets of etchings (such as "The Clyde Set", "The North Holland Set" and "The North Italian Set"). In general his prints feature areas of great darkness, offset by highlights. Cameron would later become known for his church interiors and barren landscapes of Scotland done in drypoint. The feathery lightness of these drypoints was in visual contrast with the rock and water of the subjects. He became highly sought after by collectors, until the Great Crash in 1929 brought a collapse in prices for prints in general. He exploited his popularity by producing an unprecedented number of states of his prints, and is believed to hold the record at twenty-eight states in one case. Cameron became a Royal Academician in 1920.

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